Showing posts with label Fayum Portraits. Show all posts
Showing posts with label Fayum Portraits. Show all posts

Monday, December 27, 2010

Sa RAH

SARAH PALIN
Encaustic Beeswax Painting
(after Fayum Mummy Portraits)
12' X 16"
NFS
Judy Vars
The Fayum Mummy Portraits were found in the fertile Nile region known as Fayum, these ancient necropolises contained literally thousands of these ancient portraits. These paintings offer a rare glimpse into the personalities of people that lived in the time of Cleopatra and Marc Anthony. These effigies have remarkably withstood  thousands of years of extreme heat and cold. The fertile Nile Delta known as Alexandria was a mix of Greek, Roman and Egyptian cultures. These Fayum Mummy Portraits are painted in the classical Greek style upon thin birch wood panels. The mummies are wrapped and preserved with Egyptian techniques and Roman in their social content.

I have painted Sarah according to the Greek school i.e. palette which contains only four colors; white, yellow ochre, red ochre and black and then painted with encaustic beeswax and embellished with gold leaf.

They were painted life size and probably painted while the person was still alive then added to the mummy casing after death. All my portraits all share one common element with their ancient cousins and that is their hypnotic gaze which seems to suspend them in the eternal present. The mystery of the Fayum portraits has captured my imagination; no one knows for sure their dating, origin or their true function.

For years I have been in love with icons, the spiritual aspect and the everyday aspect of icons. I ask myself questions like; what makes an “icon”? When somebody emerges into the social fabric of our society there image is everywhere and their personality is part of our shared experience (unless you live under a rock). We love to hate our icons. Is luck, fame and fortune as random as winning the lottery or getting hit by a truck or is it divine? Sure talent and hard are usually necessary but there are millions of talented people (myself for example) who will be as forgotten as if they never lived in a couple of generations.

I am making a gallery of modern icons "The Hall of the Famous the Infamous and the Obscure" if you have any ideas let me know. My previous icon was Angelina Jolie as Cleopatra and Martha Sanchez as Frida.  See below, You get the idea.

Your critique, ideas and comments are always appreciated the painting can always be reworked and improved upon, that’s the beauty of encaustic wax.
http://cabinfeverinalaska.blogspot.com/2010/11/angelena-jolie-as-cleopatra.html
http://cabinfeverinalaska.blogspot.com/2010/09/martha-sanchez-as-frida-kalho.html
http://cabinfeverinalaska.blogspot.com/search?q=Oprah+and+Obama

Thursday, November 25, 2010

Angelena Jolie as Cleopatra

Cleopatra
Encaustic Wax/Rinestones
12" X 16"
Judy Vars
NFS
Ok, so I'll admit it! I am fascinated by Angelina Jolie, her full voluptuous lips, her exotic beauty,  her dark side, and her compassionate human side. She is an intriguing creature/woman. While I painted her I listened to books on tape; the Unauthorized Biography of Angelina Jolie by Andrew Morton This was the first paragraph… “The room was stark and bare: white carpet, white curtains, white walls, and no furniture except for a white crib. For more than a year, a baby girl lived there, cared for by a ragtag assortment of babysitters. The child rarely knew if the person putting her to bed was the one who would dress and feed her in the morning. There were days when her mother, who lived in an apartment three stories below, would not visit.
That baby girl was Angelina Jolie. She was sent to live in the white room after her father, Jon Voight, left her mother, Marcheline Bertrand, for another woman. Marcheline said, “Angie reminds me so much of Jon right now that I cannot be around her. It’s just too painful.”

The other book was Anthony and Cleopatra by Colleen McCullough. This is a long historical fiction that was quite accurate.

This painting is now part of my menagerie of "Modern Icons" that I am working upon for my "Hall of the Famous and the Infamous." These will all be painted with encaustic beeswax in the Greek style like the Fayum Mummy Portraits. All are painted with the traditional palette of colors, yellow ocre, mars red, black and white while using the same tools that the ancients used (except of course electricity). I know these are obscure and definitely not mainstream, however I must follow where my heart takes me. I am in love with the idea of icons, what makes an icon, who they are, who they were, and why do they catch our attention.
I am even planning to do Sarah Palin! I know! She could even pose for me in person! otherwise it would be the unauthorized icon of Sarah. Saint Sarah No, I am not being sarcastic.

HAPPY THANKSGIVING